A Womans Perfect World

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A WOMAN'S PERFECT WORLD

Religion is often used as an excuse for what some may deem inappropriate behavior, or poor lifestyle choices. Many religious fanatics have been known to use biblical quotations, and reasoning's as a way to instill their beliefs on other cultures. Polygamy seems to be one of those choices. This lifestyle is one that has managed to live on throughout the ages.

Some women who choose polygamy would propose that it is an ideal lifestyle. The question is, ideal for whom? At first thought this lifestyle is obviously beneficial to the polygamist husband. After all, with multiple wives, there is always an abundance of women to fill one's needs and to see that all desires are met. He also has the freedom to take another new, sometimes very young, wife at many different stages in his life. These times may include, when he feels his older wife is getting to the point when she is no longer able to bare his children. Sometimes, these new wives are actually chosen by one of, or all, of his current wives. However, who meets the many needs of the women? The answer to that is simple, the husband's other wives.

The many wives in a polygamous marriage are always ready and willing to fill the voids left by the remaining wives. For example, if one wife is forced to work late, there is someone to care for the children, make dinner, and another still to take care of the husband, all without a second thought and all without special instruction(Joseph ).At first glance this situation may seem perfect. Imagine for a moment a world where there is no need for daycare, fast food, or affairs. What happens when the wives looks begin to fade, as they grow older, and possibly are no longer seen as attractive as they once were in their youth? No need to worry about the husband asking for a divorce, he will simply take another, younger, wife. It is the veteran wives responsibility to teach her the ropes. In these families, these women must be lifelong friends. They share the most intimate things in life, their children and their husband. No jealousy can live here. If it did, I would imagine there would be no harmony. How could they possibly survive if there were insecurities among the women? It could become the ultimate competition. They may always be left wondering if the husband preferred one wife over another, or if there were certain things he shared in private with one of the other wives, but not another. Mary Ben David, a plural wife herself of many years, believes only strong independent women can be part of a polygamous marriage, and that many monogamous relationships consist of women who don't possess their own identities, but rely on the identity of the husband(David ). It may appear to some however, that the exact opposite is true.

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The chores are usually separated equally. In plural families there are sometimes as many as fifteen children, the work seems never-ending. Some wives work inside the home, some work outside. Career moms without the juggling. No more guilt about working late, or not being there to do homework. There's always someone there to tuck the babies in, nurse them to sleep, and know which is their favorite story. For many of today's working mothers this sounds too good to be true.

If my husband expressed a desire for another wife, this would be a nightmare for me. In my perfect world, it is the man I've chosen that meets these needs. The man I have children with, that knows their schedule, and can whip up an "on the spot" meal. If and when I work late, he will be sure their needs are met. When I get older, and my looks fade, our relationship may change, but he will love and respect me for all I've given and given up for our relationship. We will raise our children together. He will pick up my slack, as I will his.

In a marriage where there is more than one wife, and only one husband, where is the intimacy? Although the husbands reassuringly insist he makes enough time for everyone, and that each wife is satisfied completely, but where is the "partnership"? The plural families argue it is a team effort. Even more importantly, what is if any, the role of the husband? Most polygamist husbands contend this is the style of marriage "authorized by God". They claim "there is no problem in God's eyes with plural families". They firmly believe that polygamy is for women. To ensure they are able to marry the man they want to, regardless of his marital status (Chapman 1). According to USA Today editorials, He usually works, most often a mediocre job, as in the case of Tom Green, a paralegal who became the first man to be put on trial for polygamy in fifty years. A good percentage of polygamist husbands are farmers, or tradesman, as this gives them more time to devote to the church, and their families. Certainly not one that pays well enough to carry the load of so many children. Luckily, he has at least three other working adults in the family. However, if the polygamist husband wasn't fathering so many children, would the family have the need for adult incomes? The women in these families sometimes work from home, telemarketing, or selling what they grow in the garden, and others still hold clerical jobs in town.(Utah's first polygamy trial in fifty years..).

Although polygamy has been practiced for hundreds of years, dating back to the 1800s in North America, it has become convenient, and beneficial for today's working women (VanWagoner 6).Without the need for daycare it must relieve a lot of the added pressure of working motherhood.. The wives always have someone to trade duties with, in case they need a break. Wives in monogamous marriages don't have that benefit. They only have one other person to fall back on, where as women in single families often don't have anyone else.

What if the tables were turned? Maybe a woman's perfect world isn't what these families believe. Maybe it's a world that practices polyandry, a family of one wife and many husbands. Although this is said to be condemned by all major world religions, I think I have a good idea why. It seems like a situation that would really empower women. A life where a woman has sexual freedom without threat of a "bad reputation"being able to chose which bed she sleeps in, with whom she spends her special time. The wife would then become the center of the family. Imagine this for just a moment A world where, all repairs are done in a timely manner. A husband's lifelong friends are ones that the wife chooses. A night out with the boys can be spent in the living room, and the wife wouldn't mind a bit. One husband to cook, one husband to do laundry, one husband to do dishes. There would never be a shortage of funds, or attention. What child wouldn't benefit from multiple constant male role models? Not any that I know of. Maybe women would then be able to have careers, other than raising children.

Polygamy is not illegal. What's illegal is registering more than one marriage at the same time, without getting a divorce. That's bigamy, which is illegal in all fifty states. However, some estimate that as many as 60,000 people live in plural marriages in Utah. The Mormon church, which is famous for supporting polygamy among their followers, threaten excommunication of members who practice polygamy(Bertola 1).

Polygamy is what one makes of it. Those people who are raised in "traditional families" would likely be horrified at the thought. They might find it outdated, possible brainwashing of young women suffering from low self-esteem. These girls are taught at a very young age to choose a man who has "proven himself a good provider" even though he's already married.(Chapman) That they need to share their men, because there are very few "good Christian men" available, Is it possible they don't feel worthy enough to have a man of their own? These women who are raised in a close-knit community are taught, at a very young age that men should love their wives and wives should be submissive to their husbands, may not see an alternative. It may very well be a convenient excuse for what some might consider " selfish working women" who don't want to raise their own children. Could it possibly be a religious shield used by men who want to have an unlimited number of sexual partners without breaking any unwritten moral code? They all seem to be ,God fearing, Bible quoting individuals, who truly believe what they preach.

In our society there are a number of children are being raised in so-called undesirable ways, including, single parent households, or households of same gender parents ,or more importantly, children who aren't even being raised by their own parents and are placed in foster care. Is the traditional woman/man married, stay together until death do us part, family gone? In our society where the "non-traditional" family has become the norm, is there a place for plural marriages? This issue causes one to ask the ultimate question, what is "normal"?

Normal may be the atmosphere and environment to which you've become accustomed . The real questions I'd like the answers to are simple. Can women be happy, and content in this type of atmosphere? Can she really grow as an individual? More importantly, can children raised in plural families thrive, grow up to be well-rounded, and socialized adults. Will they grow up to form plural marriages of their own, or, will they become part of "mainstream" America? Will they have any desire , or need?Please note that this sample paper on A Womans Perfect World is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on A Womans Perfect World, we are here to assist you. Your cheap custom research papers on A Womans Perfect World will be written from scratch, so you do not have to worry about its originality.

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Hamlet

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One of the most unique elements of the Hamlet character is that he is so human. Many types of readers can identify with him. Hamlet is imperfect, and he is fretful. Hamlet has human properties, and it is his humanity that I intend to explore. Indeed it is these human qualities and imperfections that make his story so tragic. Another tragic part of the play is the plays irony. Irony is an important tool in the hands of the playwright to achieve both comical and/or dramatic effect. There is usually little reason for a tragedy to be funny, so Shakespeare has used this tool to add more tragedy to the play. I will investigate the nature of this irony. Also, I will investigate the types of conflict that play a major part in the play and the relationships between Hamlet and the two people who have been closest to him; Ophelia and the Ghost. Hamlet cannot share his strong feelings and emotions with his mother or his girlfriend. While his mother is literally sleeping with the enemy, Ophelia has chosen the side of Claudius because of her father, Polonius. It is especially difficult for Hamlet to talk to Ophelia. The only other woman in his life, Gertrude, has betrayed his father by marrying Claudius. Hamlet may be obsessed with the idea that all women are evil, yet he really does love Ophelia, because when he finds out Ophelia has died, he cries out, I lovd Ophelia; forty thousand brothers could not, with all their quantity of love, make up my sum.(Act V, Scene 1) The ghost provides Hamlet with a dilemma. In Shakespeares plays, supernatural characters are not always to be trusted; think of the three witches in MacBeth, who are instrumental in his downfall. Hamlet does not know whether the ghost is telling the truth or not. If Hamlet had killed Claudius solely on the ghosts advice, he would certainly have been tried and put to death himself. There would probably have been a war to choose the new king. Being the humanitarian that he is, and taking account of his responsibilities as a prince and future king, Hamlet most likely would want to avoid civil war. Even though Claudius is a murderer, and probably not as noble a king as Hamlets father was, he is still a king. He brings order to Denmark. Hamlet does not wish to plunge his country into chaos. He realizes that this will happen when he kills Claudius. Hamlet is unable to combine the spiritual world (in the form of his fathers ghost) with the tangible, every-day world that surrounds him. There is much irony throughout this play. One occurrence of irony I found particularly striking was the fact that Hamlet effectively maneuvers himself into the same position as Claudius. Claudius had attacked and killed a man who did not have the opportunity to defend himself, but when Hamlet kills Polonius, is he not guilty of the same? It is intriguing that both Claudius and Hamlet have killed fathers. It is interesting to see how these two completely different characters deal with this problem in different ways. Other interesting parallels I found are the numerous deaths by poison. Hamlets father was murdered by Claudius with poison. In the final act, the queen is the first to be poisoned, by drinking from Hamlets cup. Then, Hamlet is wounded by the poisoned tip of Laertes sword. When they change swords, Hamlet gets the upper hand and Laertes is poisoned. When the queen dies, Laertes explains all to Hamlet, before he dies. Hamlet then kills Claudius before dying himself. It is ironic that, as Claudius is poisoned because of his own plotting, he had already signed his own death warrant when he killed Hamlets father, the first tragic action of the play. There are only three people in this play who dont die by poisoning Rosencrantz and Guildenstern meet their deaths in England, after being outsmarted by Hamlet. The third is Ophelia, who is drowned. There are three types of conflict I can identify in the play man versus man, man versus nature and man versus himself. Hamlets fight with Laertes in Ophelias grave and the subsequent duel would both easily classify as man versus man conflicts. Man also struggles with nature in this play, most notably in the form of Ophelias drowning and Hamlets crossing the sea to England - although the latter conflict plays more of a background role. The man versus himself conflict is most directly exposed in Hamlets famous soliloquy, where he is wrestling with his conscience. The realization he comes to in this soliloquy is that we are afraid to kill ourselves because we do not know what is to be found after death. Another man versus himself conflict is Claudius inability to pray. He cannot really justify his past deeds. For him this is actually another step into darkness. Hamlet may be a thinking man; however, this does not mean he actually likes to think. Although he might have liked to think in the time preceding the play, when the time has come for him to take action, he cannot because of this urge to contemplate. His capacity of thinking becomes a handicap rather than an advantage. And this is not even the most painful or tragic part of the Hamlet character. The biggest problem is that he is aware of this. Not only is he incapable of acting without thinking, he knows that this is the case, which makes the burden even heavier. Hamlet cannot face reality. It is already a traumatic experience for him when he has to believe the words of the ghost, and actually the ghosts demanding him to act on this information is too much for him. Hamlet is however, a man of decision. But he is also contemplative. He needs to think in order to justify his actions, and his intellectual characteristics are the major difference between Claudius and himself. Hamlet is very aware of the relationship between action and reaction and realizes that he has to proceed very carefully. In the play, Claudius is the decisive character, and the man of action. He takes the first action, the action that sets the story in motion - the poisoning of Hamlets father. He also instigates the final action, the poisoning of the blades and the cup; an action that will backfire and cause his own death. In the play, there seems to be a constant shift of action, where only one party can act at any time. These two parties are of course Hamlet and Claudius. When Claudius has taken the action that secures him the throne, he allows Hamlet to become the man of action. But Hamlet procrastinates. The only action Hamlet takes is staging the play, which seems more to serve the purpose to establish that Claudius is indeed guilty of his fathers murder. He does this for himself and for Horatio. Then he proceeds to kill the eavesdropping Polonius. Hamlet is given the chance to avenge this foul and most unnatural murder when he sees Claudius praying. Hamlet, being a Christian prince, cannot bring himself to kill Claudius while he is praying, as this would secure his place in heaven. Hamlet wants to make sure Claudius will suffer in the afterlife, just as his father did. Hamlet leaves just before Claudius gets up, declaring he cannot pray; My words fly up, my thoughts remain below Words without thoughts never to heaven go (Claudius, Act III, Scene ). Had Hamlet known Claudius was unable to pray, then he could have had his revenge right then and there, instead of waiting until the end, and taking everyone else with him. Most of the other characters would probably have acted much quicker than Hamlet if they were in his position. Imagine Polonius in the situation Hamlet found himself in. He would not procrastinate as much. It would have most likely been off with the head of the murderer! Any other character in the play would not have stayed as quiet as Hamlet does (confiding only in his best friend, and even keeping the truth from his mother until the end of Act III). Although not every one of them might have come to killing Claudius. But Hamlet does not seem to do anything. Again, he thinks too much. But why? Hamlet is self-conscious, while the majority of characters that surround him are not. This explains why he feels inhibited to act. Hamlet resembles a real person more than any other character in the play, which might be another reason why he still remains a subject of discussion, and why the play remains so popular. Hamlet is one of the most interesting characters in English fiction because we can identify with him, and understand, although not always agree with his actions. Hamlet is also set apart by his elusiveness. Many of the characters in the play can be categorized within minutes of their introduction. Im not calling them caricatures, but there is definitely a caricature-like side to some of them. The pompous Polonius and the deceitful and thick-headed Guildenstern and Rozencrantz come to my mind. However, this does not hold true for some other characters, such as Laertes and Ophelia. The character of Hamlet refuses categorization. Interesting with regard to this is his love of theater. He is particularly interested in the idea that things may seem different from what they really are, just like the people that surround him. His mother is no longer his fathers wife, but his uncles, his girlfriend is no longer there for him, and Guildenstern and Rosencrantz are no longer his friends. Also, he is aware that he will have to disguise himself and his real motives and goals in order to attain them - this is why he fakes his madness. It is not until he picks up Yoricks skull in the beginning of Act V that he finds out what is real and what not. In the end, when the truth is revealed and everyones masks are removed, death is all that is to be found.

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Bittersween Dreams

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Bittersweet Dreams

Although Eveline dreams of freedom from her ordinary existence, she has not the physical or emotional strength to see her dreams to fruition. It is because of the ties that bind her to her Catholic-Dublinian existence and her weakened physical state, that when she attempts to journey beyond the limits of her primitive boundaries, that she suffers the ultimate consequence for her actions.

Dreams are what maidens are made of, and Eveline is no different that any other healthy young lady in that regard. However, Eveline lives in harsh times and under harsh conditions, so the intensity of her dreams are exacerbated by the dimness of her reality. When she needs to have her calgon moment, she dreams of her childhood, and the comfort and security that that represents, and of her new "excitement" (406), Frank, which represents her future comfort and security. She dreams of the opposite, of her now.

For Eveline, her childhood represents as perfect a place and time as she can tangibly reckon. In it, she is free from all the worries of the world. She recalls playing "every evening" (404), not just occasionally or often, but every evening. She recalls real friendships, like "little Keogh the cripple" (404), who would watch out for the children and warn them when her father used to come looking for them in the evenings, and Tizzy Dunn, her good friend. She recalls her father in a kind light, saying, "[he] was not so bad then" (404). But the most important memory for Eveline is the recollection of her mother. When her mother was alive, she was "happy" (404), and she didn't have all the burdens that now confound her life.

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In the present, Eveline sees and feels nothing that reminds her, of her cherished childhood abandon, and so she laments "everything changes" (404-405). But how, does everything change? Eveline spins a dream for her future, and what a beautiful dream she spins. Her dream is replete with a prince charming, a Garden of Eden, and absolute perfect-ness. In her dream, her prince charming is Frank, a self-assured young sailor, on leave from his duties, visiting Dublin on a holiday. Everything that Eveline associates with Frank has some positive emotional pull to it. He is a self-proclaimed adventurer and spinner of extraordinary tales. He is a free spirit. And Eveline desperately wants a taste his freedom. He is a "very kind, manly, [and] open-hearted…fellow" (405), and Eveline associates to him, the very feelings that she associated to her childhood happiness, security, and emotional freedom. Frank offers her, a new and better version of herself. When she is his Mrs., she will have her own home, and nowhere other than "Buenos Aires" (405). She will be married, people will respect her, and she will not end up like her mother, prematurely dead. I admit, I am guilty of hoping that she abandon her reality, for her dream.

But as much as Eveline is normal, in that she has dreams, and wishes, and desires like any other girl, two constrictive forces are pulling her away from the future freedom she dreams for herself the ties that bind her to her homeland and her physical frailty. All is perfect for Eveline until these forces start to slip into her consciousness.

To be a Dubliner means to have a name; it means that someone really exists. Eveline is a real someone; she has a real name; she is Eveline Hill. She ponders "And yet during all those years she had never found out the name of the priest" (405). The priest used to be a Dubliner; he used to be her father's friend. But now that he was gone, he ceased to exist in a real sense. In another instance, she ponders how she would be remembered by her fellow employees, once she was gone "What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool…and her place would be filled up [with] advertisement" (405). It is so subtle how Joyce weaves the complexities of Dublin identity to the identity of self. For Eveline, she is starting to get a sense, that if she leaves and runs away with Frank, then she will also cease to exist.

If, being a Dubliner constitutes half of Eveline's being, then being her mother's daughter constitutes the other half. From her mother, Eveline inherited a "life of commonplace sacrifices" (406), which she vowed to uphold. This inheritance included the responsibilities of raising and nurturing, the family that her mother left behind when she died. On the very evening that Eveline is planning her flight to freedom, she vividly and painfully remembers the promise she made to her mother "to keep the home together as long as she could" (406). Eveline knows her duty, but she has had enough. In her mind, she has fulfilled her duty; she has "[kept] the home together as long as she could" (406).

If life were as simple as Eveline! She is doomed, even before she starts. Although Eveline is blessed with the fortitude to mentally journey beyond the limits of her birth, sadly, she is equally cursed with the flesh of her birth. Eveline is a sick young woman. Joyce tells us clearly in the text. The first paragraph ends "She was tired" (404). Why is this, otherwise, normal young woman exhausted from the normal rigors of a Dublin existence? Joyce answers she suffers form heart "palpitations" (405), "trem[ors]" (406), "nausea"(407), and is prone to being "laid up" (406). Joyce has created for us a disaster waiting to happen! Eveline is a critical heart-patient who turns a deaf ear to the mortal limitations of her body.

Eveline knows that the journey she begins this night, is a one way venture. She has made her peace with her past and present, and has found the resolve to follow through with her convictions. Although she might die trying, at least, she would have died trying. If she is lucky, Frank will give her "life, perhaps love, too" (406). For Eveline, these are worth the risk of death, especially, in the face of the grim alternative. Thus, it is with guilt for abandoning her duties to her home, with the knowledge that her Dublinian identity will be stripped, and without a second thought for the precariousness of her physical condition, that she summons what strength she has remaining, and makes the rendezvous with her lover, Frank, at the docks.

Eveline is touchably close to her freedom when the first bells of alarm start to sound. From the moment she reaches the docks, we see that she is experiencing a heart attack "she stood among the swaying crowd" (407). The crowd isn't swaying, Eveline is. And then, the coups de grace "A bell clanged upon her heart" (407). Yet, "she felt [her lover] seize her hand Come!" (407). Frank doesn't know what is happening and is pulling her onward. When Eveline can carry on no further, "she grippe[s]…the iron railing…in frenzy" (407), and collapses. Frank is ordered to board the ship. Eveline sends out "a cry of anguish!" (407). Then, from "beyond the barrier [Frank] call[s] to her to follow" (407). But she is already dead "she set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition" (407).

"Her time was running out" (406), Joyce tells us this, and Eveline knew this. She knew, that her obligations to her family and society, were more than her weak body could endure. Still, she did the only thing a truly free spirit could she hitched a ride on her dreams. After all the emotional turmoil, Eveline finally revealed herself to be an adventurer worthy of Joyce. The more time I spent with this story, the more my respect grew for Eveline. At first, I thought her character was only a dimwitted product of her environment, but after careful deliberation, I came to appreciate the subtle boldness of this physically weak girl. It is truly sad, that Eveline was never destined to see her "Buenos Aires" (405). Eveline died, living her bittersweet dreams, and I am living, this bittersweet ending.

Please note that this sample paper on Bittersween Dreams is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Bittersween Dreams, we are here to assist you. Your cheap custom research papers on Bittersween Dreams will be written from scratch, so you do not have to worry about its originality.

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Reality Tv: Big Brother

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Our staff of freelance writers includes over 120 experts proficient in Reality Tv: Big Brother, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Reality Tv: Big Brother paper at affordable prices with writing help service!

Real New Formats of Television Looking at Big Brother.

By Phillip Bell

The term 'Reality television,' has become popular in recent years to describe programmes that depict events and interactions, which are supposedly true depictions of the 'real.' As to what constitutes the 'real,' is a constant source of debate and discrepancy. One such example, which attempts to disprove the reality of such shows, and prove 'Reality Television,' to be a misnomer is Phillip Bell's article, 'Real new formats of television looking at Big Brother.' Bell's analysis focuses on the Reality game show, Big Brother, and portrays the negative aspects of it through analysing the contestants as well as those who watch them; the audience.

He presents this pessimistic attitude by using sarcasm, ironies and snide comments, which often appear after a statement in brackets, "They encourage competitive and self-examining behaviours of their participants (victims?)…"1 By doing so the reader is positioned to see Bell's point of view, which offers no credit to Reality television and if anything mocks it.

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Bell begins with an interesting comparison of George Orwell's novel '184' and the show 'Big Brother,' which evokes a sense of nostalgia and regret from Bell as to what modern day entertainment has become. Big Brother was once "watching his cowering subjects for signs of rebellion," and is now, "paying selected members of the audience to cross over to the other side of the all-seeing lens." This notion that Big Brother, no longer represents a serious and deadly authority but rather a voyeur; concerned with entertainment and ratings somehow diminishes it's authenticity and depiction of the 'real.'

Despite Bell's stern standpoint on what is 'real,' his discussion of contestants involved are insightful. Bell accurately notes that those selected are, "carefully selected 'ordinary' people," who are specifically chosen, "…to generate certain kinds of stories, certain kinds of competitive and cooperative behaviours and inter-personal conflicts." This of course affects the 'real' as there is bias from the onset of their appearance on screen. There are also the specifics of why one is chosen; their 'role' if you like. It is imposed upon the contestant to play up to this role that the program producers have chosen them for. "They'll play the theatrical roles they've been chosen to play vixen, slut ing�nue, yobbo, etc." Such behavioural patterns Bell describes as 'demand characteristics,' which he verifies by describing a societal experiment conducted around the theme of imprisonment. People involved in this experiment felt compelled to 'perform their role,' such as attempt escape if a prisoner and to rule harshly if a guard. Although Bell uses this as an effective argument against an accurate portrayal of oneself on Big Brother, we must acknowledge the fact that we are all subjected to some form of societal conformity within everyday life. There are multi-facets of every person and when put in different situations we often display or conceal certain aspects of our true self in order to be accepted. By showing different sides of their personality, appropriate to the current situation the contestants are faced with a double-edged sword. Bell discusses this as a kind of equilibrium, which entails keeping not only the audience content but their fellow contestants as well. By being too extreme one risks challenging societal norms and hence being pushed to the outer, which of course leads to elimination. Furthermore, being deprived of certain necessities such as family, sex, food and freedom will as Bell points out, inevitably lead to extreme behaviour, where uncharacteristic behavioural traits are displayed in order to win, survive or maintain dignity. This is perhaps where the untrue portrayal of oneself comes into play as competitiveness and winning become issues. On the June 10 (00) Big Brother Live nominations episode, the housemate Mirabai admitted, "There is something held back because you have to think about the game." Such a comment confirms Bell's point of view, that contestants are reserved in offering their real selves as it ultimately comes down to the fact that it is just that; a game.

However, what sort of game would it be without a judge or mediator? This is where the audience come into play. Perhaps the most appealing facet of reality game shows is the authoritative position that the audience hold; that of judge. Bell comments that the audience "…interacts with the participants and their games, judging them, voting for or against them." He perceives this as a rather unnatural situation referring to this arrangement as 'perverse,' and 'voyeuristic;' both of which hold negative connotations. By perceiving this as unnatural Bell is neglecting to acknowledge that this form of behaviour occurs in everyday normal situations. It is inherent within human nature to observe something and then to pass judgement on it. One meets a new acquaintance and within tenths of a second has reduced them to a particular category or stereotype.

Interestingly Bell not only looks at how the audience judge the contestants but how doing so forces them to judge themselves, consciously or not. This is achieved through the television channel ('agent provocateur'), who attempts to "catch the audience in their own moralistic web." Agreeably this is the hook which draws many viewers as we are sub-consciously subjected to internal scrutiny, asking ourselves, "What would I do in that situation?"

Bell's discussion of why people pass judgement raises a valid and interesting point. When, as an audience, we are faced with displays of body flaunting, raw sexuality, and primitive behaviour, "…the native or 'feral' Aussie is on display, and the audience is made uncomfortably aware that it may be more like that species than it cares to admit." It is as though the viewer watches this behaviour that society deems as unacceptable, openly criticises it, despite feeling sub-consciously aroused and interested in behaving likewise and hypocritically act similarly in their own lives.

Moreover, Bell's main qualm with Reality television appears to be that "…they exhibit a kind of perverse, rather than a critical or ironic 'pseudo-documentary.'" This 'pseudo-documentary,' he believes stems from the fact that the contestant know there is an audience who are watching and judging the contestants, therefore there is "….the demand to act as though they are not being looked at," which will undeniably tamper with the 'real.'

Without being able to discuss this notion of the 'real,' as a balanced argument, Bell's only form of flattery throughout his article appears with sarcastic undertones, "Big Brother may not be reality but it certainly is television."

By making unjust generalisations, Bells argument diminishes in worth. He refers to all contestants as "minimally educated, heavy television viewers." This judgemental voice appears loudly in his concluding paragraph where he tries to define the problem with Reality television. He states, "…it is not its apparently ignorant or vulgar participants who are the problem. Nor is it 'human nature.' Rather, it is the imprisoning situations constructed for us to think of as reality itself that should incite the critics' indignation." Perhaps as an academic this should be taken into account, but for the everyday viewer it is human nature, which holds their interest and is of the highest importance.

Although Bell's article does raise some interesting and valid points, his overall attitude is negative and sarcastic. He does not conclusively prove that these shows do not present 'real' situations and people, nor does he gain any kudos by being closed-minded and cynical. By treating the general population as a collective whole, he is forced to make sweeping generalisations, which are often unjustified. Furthermore Bell passes judgement on such things as the contestants intellects, and of the type of people who would be amused by, "the selfish, the perverse, the eccentric," thus appearing class-orientated and naïve towards the richness and quality of human nature. In this sense Reality television is more 'real' than Bell gives it credit for. As an objective audience we catch sight of glimmers of the real and it is these that we should grab on to.

Bibliography

Bell, Phillip, "Real New Formats of Television," Media Information Australia, No. 100, August 001Big Brother Live nominations, Southern Star Endemol, Broadcast date June 10, 00 (Network Ten)

Please note that this sample paper on Reality Tv: Big Brother is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Reality Tv: Big Brother, we are here to assist you. Your cheap custom research papers on Reality Tv: Big Brother will be written from scratch, so you do not have to worry about its originality.

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Pachelbel's Canon in D

If you order your cheap term paper from our custom writing service you will receive a perfectly written assignment on Pachelbel's Canon in D. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Pachelbel's Canon in D paper right on time.

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Like Allegri, whose famed Miserere eclipsed everything else he achieved in his career, Johann Pachelbels name is automatically linked to the ever-popular three- part Canon in D. Born in Nuremberg in the autumn of 165, Pachelbel showed an early appetite for learning. In addition to school, he had two music teachers, one who introduced him to the fundamentals of music while the other taught him to play and compose. He was briefly at the University of Altdorf before taking a position in 167 as assistant organist at the cathedral of St Stephen in Vienna. Four years later he became the court organist to the Duke of Saxe-Eisenach. He became restless here, and requesting a letter of reference from his employers, left after a year. His reference described him as a rare and perfect virtuoso.

Subsequently Pachelbel became the organist at the Erfurt Predigerkirche, where he spent 1 happy years. His first wife succumbed to the plague, but within a year he had remarried and subsequently had seven children. This period was a time of increasing contentment and creative growth. In 160, he became organist in Stuttgart at the Wurttemberg Court. The threat of a French invasion curtailed this position two years later, and Pachelbel returned to his hometown of Nuremberg to take up the post of organist at St Sebald. There he lived out his final decade writing ever more imposing works.

It is not known when Pachelbel composed his famous Canon. The work is scored for three violins and continuo, each violin entering in turn and elaborating on a simple theme as the piece gathers in strength and builds to a climax. But Pachelbels importance is, in fact, perhaps greater as a composer for the organ; his chorale preludes, based on hymn tunes, strongly influenced J.S. Bach. He was also the author of a great many motets, arias and Masses, and 1 Magnificats which feature solo singers and a choir as well as an orchestra often including wind and brass. His body of work reflects the cultural contrasts between his own Protestant ways and those of the higher Church, and certainly deserves to be known at least as well as his celebrated Canon.

Canon in D Major

Write my paper on Pachelbel's Canon in D for me

By

Johann Pachebel

Johann Pachebel (165 - 1706) was one of the great composers of the baroque period. Pachebel was a German organist as well as a composer. Pacheb, in most cases is not thought of before other composers of this period. Bach seems to be the name that is connected to baroque music the most. Another name that is heard more often then Pachebel is Handel. However, Pachebels music resembles some of the best pieces of baroque and can hold its own next to Bach and Handel. However, you can hear a lot of Bach in Pachebels works. Pachebel was teaching Bachs brother which led to Bach teaching Pachebel.

Melody

In this piece there are four different themes stated, each using a different melody. In many instances each theme is repeated several time. As the theme is repeated, generally the same notes are used. In theme one the same notes are used in both voices.

Listen to theme one

Click Here

Theme1.vcd

The same thing happens in theme two.

Listen to this theme.

Click Here

Theme.vcd

In theme three different notes are used however these notes are used for harmony.

Listen to the third theme

Click Here

Theme.vcd

Theme four, both voices play at the same time so different notes are played for

harmony purposes.

Listen to theme four.

Click Here

Theme4.vcd

Rhythm

The rhythm in this piece is quite simple. Usually each theme uses one rhythm and sticks with it through the whole theme. Also in the entire piece there is only four rhythms used. Could you listen to the piece and write the four rhythms that you hear?

In the first theme the only uses half notes, in both voices.

The second theme introduces quarter notes.

The third theme uses the most complicated rhythm in this piece, sixteenth notes.

The fourth theme uses mostly eighth notes.

Harmony

Im sure by now that you have covered monophonic, polyphonic, and homophonic music. Monophonic is one melody is played at a time. Polyphonic is several melodies played at one time. Homophonic includes harmony.

Any suggestions as to what this piece is?

Monophonic

Polyphonic

Homophonic

In a way this piece could be both polyphonic and homophonic. There are, at times, two melodies played at the same time. Since this is a canon at some spots in the piece that one voice is playing one melody and the other voice is playing another melody. This piece could also be homophonic music because not only is their harmony playing along with the melody but also because there are two different melodies going at the same tim, this creates harmony.

Form

Can you tell me what the form of this piece is?

HINT It is the name of the piece.

A canon is a round. When we were younger we have all sang Row, Row, Row, Your Boat in a round. Well that is the same concept of this piece. One of the voices starts out and then the next voice enters with the same melosy that the first one had. The voices continue through the piece being one phrase behind the other.

Listen again and find the measure where the second voice comes in?

Click Here

Canon.vcd

Expression

I think that this is one of the most expressive pieces of music.

I would like you to think about ways that the dynamics, tempo, and articulation makes this piece expressive.

The tempo is qite slow. The tempo of this piece leaves time for each note to build in its own way. The tempo lets each note smoothly lead into the next in a very relxing fassion.

The dynamics of this piece is typically soft. However, this leaves enough room for the song to build in to wonderful climaxes. hear quite a few climaxes in this piece, which adds to the expression.

For the most part of this piece all of the notes are slurred. This helps to make the piece very delicate. It also adds a sense of happiness to the piece.

I would like you now to listen to the piece, listen for the expression of the piece. Listen to the phrasing and dynamics.

Click Here

Pachelbels Greatest Hit Canon in D

There is nothing better.

I just bought this CD last week, and have listened to it non-stop. This is a must buy for anyone who is a fan of Johann Pachelbel, track number 1 Cannon in D is probably the most romantic piece of music of anytime. I have never heard any thing more beautiful, and if you are not a huge fan of classical music..give this CD a chance and you will be.

Pachelbels Greatest Hit Canon in D

Not so great

Some of the arrangements on this CD are pretty good, but some are not. I get the feeling the producers needed to fill some, so they took some synthesizers and used those versions.

I wonder where is the origanal organ version, or the string quartet version? its a sad thing that these versions are missing. I would keep to one or two favourite versions rather than the addle of those on this CD.

This CD might be good for those obsessed, those looking for some better version of the cannon than what they have (the string quarted is by far one of the best), or people who have an interest in music and intend to compare and listen.

Personally, Id buy many, many other CDs first, though this one was interesting.

Pachelbels Greatest Hit Canon in D

Hard to shed a tear

I was subjected to this recording during a car trip with an older relative. Being a violist myself, I have played the canon several times with other strings. In fact, Pachelbels canon is not a canon at all; just several variations over an obbligato base line.

After hearing the canon for the umpteenth time, I have found it to be shallow and dull, especially on this recording. The recording is repetitious and utterly dismal. Track 5 I find to be especially abominable; the words over the intrumental music make no sense and are not sung in Pachelbels language and style; the words are inauthentically sung. This is baroque music, not comtemporary christian. Also, there is not even an original performance with a chamber group or organ. I do not mean to offend anyones taste in the review, I just wish to point out the characteristics of something that should be left on the shelf.

The accomplished Baroque organist Johann Pachelbel was south German born, but spent much of his career in middle Germany.

Johann Pachelbels repertory is the stylistic ancestor of J. S. Bachs, particularly his technique of chorale variation. His development of the cantus firmus chorale is perhaps his greatest contribution. It consists of the chorale melody in long notes, one phrase at a time, each phrase preceded by fore-imitation in the accompanying voices. This compositional pattern influenced many other composers and eventually became a standard form.

His body of work reflects the cultural contrasts between his own Protestant ways and those of the higher Church, and certainly deserves to be known at least as well as his celebrated Canon

It is not known when Pachelbel composed his famous Canon. The work was originally scored for three violins and continuo, each violin entering in turn and elaborating on a simple theme as the piece gathers in strength and builds to a climax.

Canon

Johann Pachelbel

c1680

Canon and Gigue in D. A short piece for string orchestra. Length 5 minutes. Overplayed popular classic which has been featured in films, TV adverts, the 168 Aphrodites Child single Rain and Tears, Coolios rap single in 17, in lots of shopping malls and other piped-music palaces, and at the Funeral of Lady Diana Spencer.

A short sequence of notes in the bass is repeated 8 times, as the strings pile up the decorative layers on top the Canon in D has a mesmeric grace that has charmed modern audiences. Its not actually a canon but another popular baroque form a chaconne, with just a two-bar ostinato, with three violin parts coming in at an interval of two bars.

This song was written by Johann Pachelbel who lived from 165-1706.

The melody becomes more complex as the song progresses

and then at the end you return to playing it in thirds.

The sixteenth notes will be twice as fast as the eighth notes.

It is written in the key of D Major. You will be playing F# and C#.

If you are using an electronic keyboard, find a 4/4 rhythm.

They suggest a speed of 68, but you will start slower than this.

Observe the fingering between the staves. Where two notes are played at the same time,

the fingering indicated is for the top note. Please note that this sample paper on Pachelbel's Canon in D is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Pachelbel's Canon in D, we are here to assist you. Your cheap custom college papers on Pachelbel's Canon in D will be written from scratch, so you do not have to worry about its originality.

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Whats wrong with thewinetourco.com.au

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Introduction

With each person that has the internet, their main concerns are there bandwidth and time use. These two things are what restrict people from viewing many pages on the internet. The web page thewinetourco.com.au is a web page that looks at the main ideas of purchasing a tour to Margaret River vine yards for some wine tasting or a romantic weekend. There are many concerns that surround this web page. This report will focus on each link that the page has and the disadvantages that it has. The pages that most focus will be on will be the splash screen, homepage, and the main links. With each page assessed the report will focus on the main points such as file size, data, colour, and in conclusion the target audience and the business goal has it been achieved.

Splash Page

The Splash page of this web page was a bad idea. The one most single thing that people on the web do not want to be welcomed with is a splash page or a welcome page. The users when using the internet want to be able access a page without any dramas or hassles. Issues and disadvantages of using a Splash page are listed below

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Problems Explanation

Pictures Large file size, long time loading(56K)

Text Text is very plain and hard to read, text is too small

Welcome Page Should have no splash page

Site Entrance button Very small and very hard to find(is hidden).

(like trying to find Wally in Where's Wally books)

Background The background is plain(white), needs some colour

As you can see the Splash page was a bad idea and is of no use to internet users, as all it does is consumes time with loading and bandwidth. The purpose of this page is to say welcome to users, but it can be done on the home page. The Splash page is of no importance and should be closed.

Home page

The homepage of thewinetourco.com.au is a vital page as it is the central point to which users can view other page and it is also the first page users see. This page should be very inviting and peaceful, which this page was not that successful at doing. The homepage has many problems with it, which should be addressed. Such problems are

Problem Explanation

Background Very dark and not inviting at all

Link text Small and hard to read(small and italics)

Pictures Picture format is in GIF format, may take long time to load depending on connection speed

User friendliness Not helpful in anyway, to congested.

Link buttons Hard to see, same pictures as background

As you can see the homepage is one of the most vital pages and must be the most user friendly. Thewinetourco.com.au has great difficulty in presenting an interesting page as its colour of choice is black. The homepage is a well set out page but hard to follow and allow the user ownership of a page. The homepage should be the most interesting page as it's the page people start to view and decide whether or not to continue.

Chart Your Coarse (1st link)

The first link is a page that shows the user the choices that they have for selecting the areas they would like to visit. The page has buttons that allow the user to bring up maps that take along time to load, if you have a slow connection. The main issues that regard this page are

Problems Explanation

Map picture The map pictures are not that helpful is charting any coarse, they show the surrounding area but not the area itself.

Background The background is again black and not that inviting

Links Links are relevant but the text is imposable to read

Text The information is relevant but it is too forcing (COME!)

Event guide This piece of information needs updating

As you can see the data that is labeled on this page is relevant but to demanding and also hard to read. The overall look at this link is that the total file size for viewing pictures and images are too large and demanding of bandwidth. The page needs serious adjustment to allow more users to view this page.

Let The Voyage Begin (nd link)

This is the one page that doesn't have much wrong with it. The page is easy to access but it still has some flaws. Such disadvantages as

Problem Explanation

Links Some links are of no importance and there are too many links

Software reliance You need Acrobat Reader to view the documentation for the page

Information The tours don't include prices, has time but no prices

Map link Link is irrelevant and the file size is too large

As you can see the main problem that surrounds this page is the number of links in the page. The main ideas of the page where achieved, but there is some room for improvement.

Rolling The Miles In Classic Style (rd link)

This link introduces you to the drivers of the company that holds the tours. The link has relevance and is a good idea. There are some issues regarding this page

Problem Explanation

Background The background is black once again

Links There are far too many links on this page.

As noticed there was not many things wrong with this link, as it allowed anyone to read a little about the possible driver that could be taking them on there tour to the vine yards.

Virtual Voyage (4th link)

This page is most probably the worst page of the whole web site. This page requires a really good internet connection such as broadband, ADSL or something similar. The link has many movies that require all your bandwidth to load and run. Such issues with this are

Problem Explanation

Background Simple black colour, not that interesting

Movies Need a quick internet connection to view the movies

Links Are relevant but annoying

Text Too small and hard to read

Movie info No description on what the movies about

Software dependence Must have Quicktime player to view the movies

This page is the worst page of the whole web site. The restricted use of people that can view this link keeps the numbers low as not everybody has a quick internet connection. This link is not the user friendly nor is it computer bandwidth friendly. This page should be made available to every person who views the links/movies.

Book Your Passage (5th link)

This link is straight forward and has no room for error. The link allows users online to book a trip to Margaret River vine yards and also they can book whether or not they want the special drivers to pick them up and drive them around. So issues that are on this page are

Problem Explanation

Text Small, dull and hard to read

Background Dull and not inviting (black)

As you can see there isn't much wrong with this link, it is straight forward and easy to follow. The page has nothing to complicated about it.

Conclusion

In conclusion the overall look at this page is that the page was no that user friendly and it was hard to understand. The site has a few prerequisites to be able to view this page at its full potential. Such things that are needed to view this page at full is a very fast internet connection such as T1, ADSL or Broadband, Quicktime player and Acrobat reader. This page may restrict the people that view this page as it has so many requirements to be able to view it. The site had many confusing things about it such as the links were hard to read, the movies had no description with them so it was hard to understand what the movies were about. The overall text on the total web page was hard to read as it was white on a black background, that was no the only the bad thing about the text it was the fact the text was so small it was hard to read. The site also had another problem with it; it needed to be updated dramatically. To prove that the site was no a very interesting site and was not viewed all that much, the site incorporated a site meter with it which allowed the owners to view how many times the site had been in the last week. The week ending Sunday rd August to Saturday th August the site meter only registered that only an average of 4 people visit the site a day and view one page each(the splash screen!). In conclusion this page has many problems with it that need to be readjusted or changed.Please note that this sample paper on whats wrong with thewinetourco.com.au is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on whats wrong with thewinetourco.com.au, we are here to assist you. Your cheap research papers on whats wrong with thewinetourco.com.au will be written from scratch, so you do not have to worry about its originality.

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"Looking for alibrandi"-changes in relationship with josie towards the end of the HSC year

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ENGLISH ESSAY�discuss the changes taken place throughout Josie's relationships with people by the end of her HSC year

The changes taken place throughout Josie's relationships with people by the end of her HSC year has changed dramatically. Her relationship with her Nonna, Michael Andretti and her social school relationships with the girls from St Martha's slowly changes as she starts to mature and realise that she needs to open up her heart and accept who she really is, and to understand other people instead of blocking people that are different to her off her world, which stops her from realizing that she is already widely accepted by the rich snobs in St. Martha.

At the end of her HSC year, her relationship with Michael Andretti changes Josie's and everyone's view of her illegitimacy. In the beginning of the book, she is furious at him for how he wrecked Christina's and Josie's life, dreams and socializing. Christina was kicked out of the house when she was pregnant and her dreams of being an artist was flushed down the drain when she was pregnant with Josie. For Josie, she had been teased by and talked about her illegitimacy when Michael wasn't in Sydney.

"For him to actually exist was mind boggling. Sometimes I think his a myth.?Chapter1 pg15. "I don't care about him I wouldn't care if he was sitting in this room with us now. I'd look straight through him. We don't need him.?Chapter1 pg16.

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Although Josie feels this way in the beginning, she ends up meeting Michael Andretti and her hatred towards him changes to nervous and excited at the fact she is meeting him. "I felt sick at the idea of meeting him, though at the same time I desperately wanted to.?Chapter pg 18. "He's a barrister and although I didn't want to, I like him a lot. He's honest and not a hypocrite and I sometimes want to hate him for what he did to my mother eighteen years ago. I mean you could change heaps couldn't you??Chapter16 pg 15.Fortunately towards the end of the novel, Josie and Michael's relationship become closer and closer. They go out for dinner, go on a holiday to Melbourne and ends up staying at his house in Balmain, every so often. "I'm still shocked by how fast things are going between us?I never really thought I would respect my father.?Chapter17 pg 156. Michael also starts to build up his love and affection for his one and only daughter. "Because if I pretend you didn't exist you won't go away. So I'd like to get to know you better.?Chapter1 pg 15.

Josie's relationships with people in St Martha's were her most concern and that were because of their class differences. Josie also wanted to be respectable which makes her acceptable by the rich snobs. "My biggest problem, though, is being stuck at a school dominated by rich people. Rich parents, rich grandparents. Mostly Anglo-Saxon Australians. Who I can't see having a problem in the world…………however they were smart, they moved out of the inner west and inner city and became 'respectable? Being respectable has made them acceptable.? Chapter1 pg 6.

"A world where I can be accepted. Please God, let me be accepted by someone other than the underdog.?Chapter pg .

"I felt disadvantaged from the beginning?chapter 1 pg 7.

"We grew up in the midst of the snobs of St Martha's and discovered that somehow brains didn't count that much. Money and prestige and what your father did for a living counted. If your hair wasn't in a bob or if your mother didn't drive a Volvo you were a nobody. That's where the problem lies between myself and our school captain, Ivy Lloyd.?Chapter pg 1.

Although Josie feels very competitive and ambitious and desperately wanting to be accepted by others at St Martha's in the beginning of the novel she slowly loosen up with her competitiveness and ambition. "I became a bit less ambitious this year.? Chapter pg 60.However with her desperate act of acceptance is dropped when she finds out that she was firstly school captain but Sister Louise gave that position to Ivy because she thought Ivy had the right attitude. This showed that she was accepted and respected by all the St. Martha girls. "I realized that she wasn't Poison Ivy anymore. She was just Ivy.?"I wanted to say so much to her and that surprised me. Because in the past I had to make up things to say to.? Chapter pg 41. Slowly step-by-step Josie starts to accept others for who they are and not what their family background is, rich or poor. This becomes the same with the girls in St Martha's.

Josephine's family relationships with Nonna have emotionally changed as Josie finds out what happened in Nonna's life in Australia and that she is very similar to Josephine.

"I had never thought her capable of dreaming like me.?Pg

At first, Josie becomes angry at what happened between Nonna and Marcus Sandford.

"Our whole lives just like our names are lies.?Chapter5 Pg 1. However, after she thinks about the incident she realizes that it was not her Nonna's fault but her Nonno's fault for treating her so bad, that she fell for another man who actually showed his love for her. "Your grandfather Francesco treated me like one of his farm animals.? Pg . "He promised me he would bring her up as his if I didn't embarrass him any more, so I stayed to protect my baby.?Chapter6 Pg 5.

Josie feels grateful towards her Nonna for risking and breaking rules to have her daughter, Christina. "She hadn't stuck to rules and regulations. Hadn't worried about what other people thought every second of her life. She had taken chances. Broken rules. If she hadn't Mama wouldn't have been born and I wouldn't have been born.?Chapter 6 Pg 6.

Due to all of this Nonna and Josie build a relationship stronger and stronger every second of their lives, and Josie now understood and saw that Nonna had great love for her daughter. "When she got pregnant my heart broke. Not for Francesco or me. For her. I wanted to take her into my arms and hold her. If I could carry her on my back for nine months I would have. But he looked at me wit so much hate and I knew if I tried to help her he would ruin her life. So I said "Yes, Francesco. Anything you say, Francesco.?Chapter6 Pg 5.

Josephine finds out in the end that she is a very lucky girl, who has a Nonna that loved her baby but wasn't allowed to touch her or else her baby's life would be ruined. This showed great love and caring towards her baby, but since she was kept apart from her, Josephine understands the pain Nonna went through. As for her mother, Christina, had stuck up to her horrible father and was willing to get kicked out and sacrifice herself for her baby, Josephine. "I was loved by two of the most strongest women I would ever meet in my lifetime.?Chapter6 Pg 6.

Josie's relationships with people making fun about her cultural identity-Italian also were a major part of Josie's life. She heard racist comments about her cultural identity, "wogs?throughout her life but in Chapter 8, Carly Bishop made a racist remark about her race-Italian. "The night clubs was the pits…they were all wogs they seemed to be everywhere, she snickered.?Pg 81. Josephine had rituals to follow in her culture, including- that she has to go to her Nonna's place straight after school, hang around the same race, "how come other Italian girls have Italian boyfriends, why can't you be like them??Nonna.

Being respectful and having good manners even while you are arguing is considered in her rituals. "I hate the word 'respect?I think I'll go sick if I hear it again.?Chapter.

Although Josie feels this way about her culture and finds Tomato day embarrassing, she finally realizes it is in her and she can't change it by getting all fussy over it. "I resent it most of the time, curse it always, but it'll be part of me till the day that I die.?Chapter 16 pg 15. This day when she realizes that her cultural identity is something that will be part of her forever, she comes to her senses that becoming use to the rituals will make her life easier. "If someone asks me what nationality I am, I'll look at them and say that I'm Australian with Italian blood flowing rapidly through my veins. I'll say that with pride, because it's pride I feel.?Chapter pg 5.

In conclusion the changes that have taken place in Josie's relationships with people by the end of the HSC year, has changed from a self-centered, competitive, ambitious and pride less in her own culture and an illegitimate to a less ambitious, less competitive, pride in culture, more open-minded and hearted and more acceptable to others by the end of the novel. They were not sudden changes that occurred in the blue but happened over a period of time. From this novel you can feel that love and care can change some self-centered brat into a perfect role model.Please note that this sample paper on "looking for alibrandi"-changes in relationship with josie towards the end of the HSC year is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on "looking for alibrandi"-changes in relationship with josie towards the end of the HSC year, we are here to assist you. Your cheap research papers on "looking for alibrandi"-changes in relationship with josie towards the end of the HSC year will be written from scratch, so you do not have to worry about its originality.

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