Bittersween Dreams

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Bittersweet Dreams

Although Eveline dreams of freedom from her ordinary existence, she has not the physical or emotional strength to see her dreams to fruition. It is because of the ties that bind her to her Catholic-Dublinian existence and her weakened physical state, that when she attempts to journey beyond the limits of her primitive boundaries, that she suffers the ultimate consequence for her actions.

Dreams are what maidens are made of, and Eveline is no different that any other healthy young lady in that regard. However, Eveline lives in harsh times and under harsh conditions, so the intensity of her dreams are exacerbated by the dimness of her reality. When she needs to have her calgon moment, she dreams of her childhood, and the comfort and security that that represents, and of her new "excitement" (406), Frank, which represents her future comfort and security. She dreams of the opposite, of her now.

For Eveline, her childhood represents as perfect a place and time as she can tangibly reckon. In it, she is free from all the worries of the world. She recalls playing "every evening" (404), not just occasionally or often, but every evening. She recalls real friendships, like "little Keogh the cripple" (404), who would watch out for the children and warn them when her father used to come looking for them in the evenings, and Tizzy Dunn, her good friend. She recalls her father in a kind light, saying, "[he] was not so bad then" (404). But the most important memory for Eveline is the recollection of her mother. When her mother was alive, she was "happy" (404), and she didn't have all the burdens that now confound her life.

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In the present, Eveline sees and feels nothing that reminds her, of her cherished childhood abandon, and so she laments "everything changes" (404-405). But how, does everything change? Eveline spins a dream for her future, and what a beautiful dream she spins. Her dream is replete with a prince charming, a Garden of Eden, and absolute perfect-ness. In her dream, her prince charming is Frank, a self-assured young sailor, on leave from his duties, visiting Dublin on a holiday. Everything that Eveline associates with Frank has some positive emotional pull to it. He is a self-proclaimed adventurer and spinner of extraordinary tales. He is a free spirit. And Eveline desperately wants a taste his freedom. He is a "very kind, manly, [and] open-hearted…fellow" (405), and Eveline associates to him, the very feelings that she associated to her childhood happiness, security, and emotional freedom. Frank offers her, a new and better version of herself. When she is his Mrs., she will have her own home, and nowhere other than "Buenos Aires" (405). She will be married, people will respect her, and she will not end up like her mother, prematurely dead. I admit, I am guilty of hoping that she abandon her reality, for her dream.

But as much as Eveline is normal, in that she has dreams, and wishes, and desires like any other girl, two constrictive forces are pulling her away from the future freedom she dreams for herself the ties that bind her to her homeland and her physical frailty. All is perfect for Eveline until these forces start to slip into her consciousness.

To be a Dubliner means to have a name; it means that someone really exists. Eveline is a real someone; she has a real name; she is Eveline Hill. She ponders "And yet during all those years she had never found out the name of the priest" (405). The priest used to be a Dubliner; he used to be her father's friend. But now that he was gone, he ceased to exist in a real sense. In another instance, she ponders how she would be remembered by her fellow employees, once she was gone "What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool…and her place would be filled up [with] advertisement" (405). It is so subtle how Joyce weaves the complexities of Dublin identity to the identity of self. For Eveline, she is starting to get a sense, that if she leaves and runs away with Frank, then she will also cease to exist.

If, being a Dubliner constitutes half of Eveline's being, then being her mother's daughter constitutes the other half. From her mother, Eveline inherited a "life of commonplace sacrifices" (406), which she vowed to uphold. This inheritance included the responsibilities of raising and nurturing, the family that her mother left behind when she died. On the very evening that Eveline is planning her flight to freedom, she vividly and painfully remembers the promise she made to her mother "to keep the home together as long as she could" (406). Eveline knows her duty, but she has had enough. In her mind, she has fulfilled her duty; she has "[kept] the home together as long as she could" (406).

If life were as simple as Eveline! She is doomed, even before she starts. Although Eveline is blessed with the fortitude to mentally journey beyond the limits of her birth, sadly, she is equally cursed with the flesh of her birth. Eveline is a sick young woman. Joyce tells us clearly in the text. The first paragraph ends "She was tired" (404). Why is this, otherwise, normal young woman exhausted from the normal rigors of a Dublin existence? Joyce answers she suffers form heart "palpitations" (405), "trem[ors]" (406), "nausea"(407), and is prone to being "laid up" (406). Joyce has created for us a disaster waiting to happen! Eveline is a critical heart-patient who turns a deaf ear to the mortal limitations of her body.

Eveline knows that the journey she begins this night, is a one way venture. She has made her peace with her past and present, and has found the resolve to follow through with her convictions. Although she might die trying, at least, she would have died trying. If she is lucky, Frank will give her "life, perhaps love, too" (406). For Eveline, these are worth the risk of death, especially, in the face of the grim alternative. Thus, it is with guilt for abandoning her duties to her home, with the knowledge that her Dublinian identity will be stripped, and without a second thought for the precariousness of her physical condition, that she summons what strength she has remaining, and makes the rendezvous with her lover, Frank, at the docks.

Eveline is touchably close to her freedom when the first bells of alarm start to sound. From the moment she reaches the docks, we see that she is experiencing a heart attack "she stood among the swaying crowd" (407). The crowd isn't swaying, Eveline is. And then, the coups de grace "A bell clanged upon her heart" (407). Yet, "she felt [her lover] seize her hand Come!" (407). Frank doesn't know what is happening and is pulling her onward. When Eveline can carry on no further, "she grippe[s]…the iron railing…in frenzy" (407), and collapses. Frank is ordered to board the ship. Eveline sends out "a cry of anguish!" (407). Then, from "beyond the barrier [Frank] call[s] to her to follow" (407). But she is already dead "she set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition" (407).

"Her time was running out" (406), Joyce tells us this, and Eveline knew this. She knew, that her obligations to her family and society, were more than her weak body could endure. Still, she did the only thing a truly free spirit could she hitched a ride on her dreams. After all the emotional turmoil, Eveline finally revealed herself to be an adventurer worthy of Joyce. The more time I spent with this story, the more my respect grew for Eveline. At first, I thought her character was only a dimwitted product of her environment, but after careful deliberation, I came to appreciate the subtle boldness of this physically weak girl. It is truly sad, that Eveline was never destined to see her "Buenos Aires" (405). Eveline died, living her bittersweet dreams, and I am living, this bittersweet ending.

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Reality Tv: Big Brother

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Real New Formats of Television Looking at Big Brother.

By Phillip Bell

The term 'Reality television,' has become popular in recent years to describe programmes that depict events and interactions, which are supposedly true depictions of the 'real.' As to what constitutes the 'real,' is a constant source of debate and discrepancy. One such example, which attempts to disprove the reality of such shows, and prove 'Reality Television,' to be a misnomer is Phillip Bell's article, 'Real new formats of television looking at Big Brother.' Bell's analysis focuses on the Reality game show, Big Brother, and portrays the negative aspects of it through analysing the contestants as well as those who watch them; the audience.

He presents this pessimistic attitude by using sarcasm, ironies and snide comments, which often appear after a statement in brackets, "They encourage competitive and self-examining behaviours of their participants (victims?)…"1 By doing so the reader is positioned to see Bell's point of view, which offers no credit to Reality television and if anything mocks it.

School papers on Reality Tv: Big Brother

Bell begins with an interesting comparison of George Orwell's novel '184' and the show 'Big Brother,' which evokes a sense of nostalgia and regret from Bell as to what modern day entertainment has become. Big Brother was once "watching his cowering subjects for signs of rebellion," and is now, "paying selected members of the audience to cross over to the other side of the all-seeing lens." This notion that Big Brother, no longer represents a serious and deadly authority but rather a voyeur; concerned with entertainment and ratings somehow diminishes it's authenticity and depiction of the 'real.'

Despite Bell's stern standpoint on what is 'real,' his discussion of contestants involved are insightful. Bell accurately notes that those selected are, "carefully selected 'ordinary' people," who are specifically chosen, "…to generate certain kinds of stories, certain kinds of competitive and cooperative behaviours and inter-personal conflicts." This of course affects the 'real' as there is bias from the onset of their appearance on screen. There are also the specifics of why one is chosen; their 'role' if you like. It is imposed upon the contestant to play up to this role that the program producers have chosen them for. "They'll play the theatrical roles they've been chosen to play vixen, slut ing�nue, yobbo, etc." Such behavioural patterns Bell describes as 'demand characteristics,' which he verifies by describing a societal experiment conducted around the theme of imprisonment. People involved in this experiment felt compelled to 'perform their role,' such as attempt escape if a prisoner and to rule harshly if a guard. Although Bell uses this as an effective argument against an accurate portrayal of oneself on Big Brother, we must acknowledge the fact that we are all subjected to some form of societal conformity within everyday life. There are multi-facets of every person and when put in different situations we often display or conceal certain aspects of our true self in order to be accepted. By showing different sides of their personality, appropriate to the current situation the contestants are faced with a double-edged sword. Bell discusses this as a kind of equilibrium, which entails keeping not only the audience content but their fellow contestants as well. By being too extreme one risks challenging societal norms and hence being pushed to the outer, which of course leads to elimination. Furthermore, being deprived of certain necessities such as family, sex, food and freedom will as Bell points out, inevitably lead to extreme behaviour, where uncharacteristic behavioural traits are displayed in order to win, survive or maintain dignity. This is perhaps where the untrue portrayal of oneself comes into play as competitiveness and winning become issues. On the June 10 (00) Big Brother Live nominations episode, the housemate Mirabai admitted, "There is something held back because you have to think about the game." Such a comment confirms Bell's point of view, that contestants are reserved in offering their real selves as it ultimately comes down to the fact that it is just that; a game.

However, what sort of game would it be without a judge or mediator? This is where the audience come into play. Perhaps the most appealing facet of reality game shows is the authoritative position that the audience hold; that of judge. Bell comments that the audience "…interacts with the participants and their games, judging them, voting for or against them." He perceives this as a rather unnatural situation referring to this arrangement as 'perverse,' and 'voyeuristic;' both of which hold negative connotations. By perceiving this as unnatural Bell is neglecting to acknowledge that this form of behaviour occurs in everyday normal situations. It is inherent within human nature to observe something and then to pass judgement on it. One meets a new acquaintance and within tenths of a second has reduced them to a particular category or stereotype.

Interestingly Bell not only looks at how the audience judge the contestants but how doing so forces them to judge themselves, consciously or not. This is achieved through the television channel ('agent provocateur'), who attempts to "catch the audience in their own moralistic web." Agreeably this is the hook which draws many viewers as we are sub-consciously subjected to internal scrutiny, asking ourselves, "What would I do in that situation?"

Bell's discussion of why people pass judgement raises a valid and interesting point. When, as an audience, we are faced with displays of body flaunting, raw sexuality, and primitive behaviour, "…the native or 'feral' Aussie is on display, and the audience is made uncomfortably aware that it may be more like that species than it cares to admit." It is as though the viewer watches this behaviour that society deems as unacceptable, openly criticises it, despite feeling sub-consciously aroused and interested in behaving likewise and hypocritically act similarly in their own lives.

Moreover, Bell's main qualm with Reality television appears to be that "…they exhibit a kind of perverse, rather than a critical or ironic 'pseudo-documentary.'" This 'pseudo-documentary,' he believes stems from the fact that the contestant know there is an audience who are watching and judging the contestants, therefore there is "….the demand to act as though they are not being looked at," which will undeniably tamper with the 'real.'

Without being able to discuss this notion of the 'real,' as a balanced argument, Bell's only form of flattery throughout his article appears with sarcastic undertones, "Big Brother may not be reality but it certainly is television."

By making unjust generalisations, Bells argument diminishes in worth. He refers to all contestants as "minimally educated, heavy television viewers." This judgemental voice appears loudly in his concluding paragraph where he tries to define the problem with Reality television. He states, "…it is not its apparently ignorant or vulgar participants who are the problem. Nor is it 'human nature.' Rather, it is the imprisoning situations constructed for us to think of as reality itself that should incite the critics' indignation." Perhaps as an academic this should be taken into account, but for the everyday viewer it is human nature, which holds their interest and is of the highest importance.

Although Bell's article does raise some interesting and valid points, his overall attitude is negative and sarcastic. He does not conclusively prove that these shows do not present 'real' situations and people, nor does he gain any kudos by being closed-minded and cynical. By treating the general population as a collective whole, he is forced to make sweeping generalisations, which are often unjustified. Furthermore Bell passes judgement on such things as the contestants intellects, and of the type of people who would be amused by, "the selfish, the perverse, the eccentric," thus appearing class-orientated and naïve towards the richness and quality of human nature. In this sense Reality television is more 'real' than Bell gives it credit for. As an objective audience we catch sight of glimmers of the real and it is these that we should grab on to.

Bibliography

Bell, Phillip, "Real New Formats of Television," Media Information Australia, No. 100, August 001Big Brother Live nominations, Southern Star Endemol, Broadcast date June 10, 00 (Network Ten)

Please note that this sample paper on Reality Tv: Big Brother is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Reality Tv: Big Brother, we are here to assist you. Your cheap custom research papers on Reality Tv: Big Brother will be written from scratch, so you do not have to worry about its originality.

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Pachelbel's Canon in D

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Like Allegri, whose famed Miserere eclipsed everything else he achieved in his career, Johann Pachelbels name is automatically linked to the ever-popular three- part Canon in D. Born in Nuremberg in the autumn of 165, Pachelbel showed an early appetite for learning. In addition to school, he had two music teachers, one who introduced him to the fundamentals of music while the other taught him to play and compose. He was briefly at the University of Altdorf before taking a position in 167 as assistant organist at the cathedral of St Stephen in Vienna. Four years later he became the court organist to the Duke of Saxe-Eisenach. He became restless here, and requesting a letter of reference from his employers, left after a year. His reference described him as a rare and perfect virtuoso.

Subsequently Pachelbel became the organist at the Erfurt Predigerkirche, where he spent 1 happy years. His first wife succumbed to the plague, but within a year he had remarried and subsequently had seven children. This period was a time of increasing contentment and creative growth. In 160, he became organist in Stuttgart at the Wurttemberg Court. The threat of a French invasion curtailed this position two years later, and Pachelbel returned to his hometown of Nuremberg to take up the post of organist at St Sebald. There he lived out his final decade writing ever more imposing works.

It is not known when Pachelbel composed his famous Canon. The work is scored for three violins and continuo, each violin entering in turn and elaborating on a simple theme as the piece gathers in strength and builds to a climax. But Pachelbels importance is, in fact, perhaps greater as a composer for the organ; his chorale preludes, based on hymn tunes, strongly influenced J.S. Bach. He was also the author of a great many motets, arias and Masses, and 1 Magnificats which feature solo singers and a choir as well as an orchestra often including wind and brass. His body of work reflects the cultural contrasts between his own Protestant ways and those of the higher Church, and certainly deserves to be known at least as well as his celebrated Canon.

Canon in D Major

Write my paper on Pachelbel's Canon in D for me

By

Johann Pachebel

Johann Pachebel (165 - 1706) was one of the great composers of the baroque period. Pachebel was a German organist as well as a composer. Pacheb, in most cases is not thought of before other composers of this period. Bach seems to be the name that is connected to baroque music the most. Another name that is heard more often then Pachebel is Handel. However, Pachebels music resembles some of the best pieces of baroque and can hold its own next to Bach and Handel. However, you can hear a lot of Bach in Pachebels works. Pachebel was teaching Bachs brother which led to Bach teaching Pachebel.

Melody

In this piece there are four different themes stated, each using a different melody. In many instances each theme is repeated several time. As the theme is repeated, generally the same notes are used. In theme one the same notes are used in both voices.

Listen to theme one

Click Here

Theme1.vcd

The same thing happens in theme two.

Listen to this theme.

Click Here

Theme.vcd

In theme three different notes are used however these notes are used for harmony.

Listen to the third theme

Click Here

Theme.vcd

Theme four, both voices play at the same time so different notes are played for

harmony purposes.

Listen to theme four.

Click Here

Theme4.vcd

Rhythm

The rhythm in this piece is quite simple. Usually each theme uses one rhythm and sticks with it through the whole theme. Also in the entire piece there is only four rhythms used. Could you listen to the piece and write the four rhythms that you hear?

In the first theme the only uses half notes, in both voices.

The second theme introduces quarter notes.

The third theme uses the most complicated rhythm in this piece, sixteenth notes.

The fourth theme uses mostly eighth notes.

Harmony

Im sure by now that you have covered monophonic, polyphonic, and homophonic music. Monophonic is one melody is played at a time. Polyphonic is several melodies played at one time. Homophonic includes harmony.

Any suggestions as to what this piece is?

Monophonic

Polyphonic

Homophonic

In a way this piece could be both polyphonic and homophonic. There are, at times, two melodies played at the same time. Since this is a canon at some spots in the piece that one voice is playing one melody and the other voice is playing another melody. This piece could also be homophonic music because not only is their harmony playing along with the melody but also because there are two different melodies going at the same tim, this creates harmony.

Form

Can you tell me what the form of this piece is?

HINT It is the name of the piece.

A canon is a round. When we were younger we have all sang Row, Row, Row, Your Boat in a round. Well that is the same concept of this piece. One of the voices starts out and then the next voice enters with the same melosy that the first one had. The voices continue through the piece being one phrase behind the other.

Listen again and find the measure where the second voice comes in?

Click Here

Canon.vcd

Expression

I think that this is one of the most expressive pieces of music.

I would like you to think about ways that the dynamics, tempo, and articulation makes this piece expressive.

The tempo is qite slow. The tempo of this piece leaves time for each note to build in its own way. The tempo lets each note smoothly lead into the next in a very relxing fassion.

The dynamics of this piece is typically soft. However, this leaves enough room for the song to build in to wonderful climaxes. hear quite a few climaxes in this piece, which adds to the expression.

For the most part of this piece all of the notes are slurred. This helps to make the piece very delicate. It also adds a sense of happiness to the piece.

I would like you now to listen to the piece, listen for the expression of the piece. Listen to the phrasing and dynamics.

Click Here

Pachelbels Greatest Hit Canon in D

There is nothing better.

I just bought this CD last week, and have listened to it non-stop. This is a must buy for anyone who is a fan of Johann Pachelbel, track number 1 Cannon in D is probably the most romantic piece of music of anytime. I have never heard any thing more beautiful, and if you are not a huge fan of classical music..give this CD a chance and you will be.

Pachelbels Greatest Hit Canon in D

Not so great

Some of the arrangements on this CD are pretty good, but some are not. I get the feeling the producers needed to fill some, so they took some synthesizers and used those versions.

I wonder where is the origanal organ version, or the string quartet version? its a sad thing that these versions are missing. I would keep to one or two favourite versions rather than the addle of those on this CD.

This CD might be good for those obsessed, those looking for some better version of the cannon than what they have (the string quarted is by far one of the best), or people who have an interest in music and intend to compare and listen.

Personally, Id buy many, many other CDs first, though this one was interesting.

Pachelbels Greatest Hit Canon in D

Hard to shed a tear

I was subjected to this recording during a car trip with an older relative. Being a violist myself, I have played the canon several times with other strings. In fact, Pachelbels canon is not a canon at all; just several variations over an obbligato base line.

After hearing the canon for the umpteenth time, I have found it to be shallow and dull, especially on this recording. The recording is repetitious and utterly dismal. Track 5 I find to be especially abominable; the words over the intrumental music make no sense and are not sung in Pachelbels language and style; the words are inauthentically sung. This is baroque music, not comtemporary christian. Also, there is not even an original performance with a chamber group or organ. I do not mean to offend anyones taste in the review, I just wish to point out the characteristics of something that should be left on the shelf.

The accomplished Baroque organist Johann Pachelbel was south German born, but spent much of his career in middle Germany.

Johann Pachelbels repertory is the stylistic ancestor of J. S. Bachs, particularly his technique of chorale variation. His development of the cantus firmus chorale is perhaps his greatest contribution. It consists of the chorale melody in long notes, one phrase at a time, each phrase preceded by fore-imitation in the accompanying voices. This compositional pattern influenced many other composers and eventually became a standard form.

His body of work reflects the cultural contrasts between his own Protestant ways and those of the higher Church, and certainly deserves to be known at least as well as his celebrated Canon

It is not known when Pachelbel composed his famous Canon. The work was originally scored for three violins and continuo, each violin entering in turn and elaborating on a simple theme as the piece gathers in strength and builds to a climax.

Canon

Johann Pachelbel

c1680

Canon and Gigue in D. A short piece for string orchestra. Length 5 minutes. Overplayed popular classic which has been featured in films, TV adverts, the 168 Aphrodites Child single Rain and Tears, Coolios rap single in 17, in lots of shopping malls and other piped-music palaces, and at the Funeral of Lady Diana Spencer.

A short sequence of notes in the bass is repeated 8 times, as the strings pile up the decorative layers on top the Canon in D has a mesmeric grace that has charmed modern audiences. Its not actually a canon but another popular baroque form a chaconne, with just a two-bar ostinato, with three violin parts coming in at an interval of two bars.

This song was written by Johann Pachelbel who lived from 165-1706.

The melody becomes more complex as the song progresses

and then at the end you return to playing it in thirds.

The sixteenth notes will be twice as fast as the eighth notes.

It is written in the key of D Major. You will be playing F# and C#.

If you are using an electronic keyboard, find a 4/4 rhythm.

They suggest a speed of 68, but you will start slower than this.

Observe the fingering between the staves. Where two notes are played at the same time,

the fingering indicated is for the top note. Please note that this sample paper on Pachelbel's Canon in D is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Pachelbel's Canon in D, we are here to assist you. Your cheap custom college papers on Pachelbel's Canon in D will be written from scratch, so you do not have to worry about its originality.

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Whats wrong with thewinetourco.com.au

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Introduction

With each person that has the internet, their main concerns are there bandwidth and time use. These two things are what restrict people from viewing many pages on the internet. The web page thewinetourco.com.au is a web page that looks at the main ideas of purchasing a tour to Margaret River vine yards for some wine tasting or a romantic weekend. There are many concerns that surround this web page. This report will focus on each link that the page has and the disadvantages that it has. The pages that most focus will be on will be the splash screen, homepage, and the main links. With each page assessed the report will focus on the main points such as file size, data, colour, and in conclusion the target audience and the business goal has it been achieved.

Splash Page

The Splash page of this web page was a bad idea. The one most single thing that people on the web do not want to be welcomed with is a splash page or a welcome page. The users when using the internet want to be able access a page without any dramas or hassles. Issues and disadvantages of using a Splash page are listed below

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Problems Explanation

Pictures Large file size, long time loading(56K)

Text Text is very plain and hard to read, text is too small

Welcome Page Should have no splash page

Site Entrance button Very small and very hard to find(is hidden).

(like trying to find Wally in Where's Wally books)

Background The background is plain(white), needs some colour

As you can see the Splash page was a bad idea and is of no use to internet users, as all it does is consumes time with loading and bandwidth. The purpose of this page is to say welcome to users, but it can be done on the home page. The Splash page is of no importance and should be closed.

Home page

The homepage of thewinetourco.com.au is a vital page as it is the central point to which users can view other page and it is also the first page users see. This page should be very inviting and peaceful, which this page was not that successful at doing. The homepage has many problems with it, which should be addressed. Such problems are

Problem Explanation

Background Very dark and not inviting at all

Link text Small and hard to read(small and italics)

Pictures Picture format is in GIF format, may take long time to load depending on connection speed

User friendliness Not helpful in anyway, to congested.

Link buttons Hard to see, same pictures as background

As you can see the homepage is one of the most vital pages and must be the most user friendly. Thewinetourco.com.au has great difficulty in presenting an interesting page as its colour of choice is black. The homepage is a well set out page but hard to follow and allow the user ownership of a page. The homepage should be the most interesting page as it's the page people start to view and decide whether or not to continue.

Chart Your Coarse (1st link)

The first link is a page that shows the user the choices that they have for selecting the areas they would like to visit. The page has buttons that allow the user to bring up maps that take along time to load, if you have a slow connection. The main issues that regard this page are

Problems Explanation

Map picture The map pictures are not that helpful is charting any coarse, they show the surrounding area but not the area itself.

Background The background is again black and not that inviting

Links Links are relevant but the text is imposable to read

Text The information is relevant but it is too forcing (COME!)

Event guide This piece of information needs updating

As you can see the data that is labeled on this page is relevant but to demanding and also hard to read. The overall look at this link is that the total file size for viewing pictures and images are too large and demanding of bandwidth. The page needs serious adjustment to allow more users to view this page.

Let The Voyage Begin (nd link)

This is the one page that doesn't have much wrong with it. The page is easy to access but it still has some flaws. Such disadvantages as

Problem Explanation

Links Some links are of no importance and there are too many links

Software reliance You need Acrobat Reader to view the documentation for the page

Information The tours don't include prices, has time but no prices

Map link Link is irrelevant and the file size is too large

As you can see the main problem that surrounds this page is the number of links in the page. The main ideas of the page where achieved, but there is some room for improvement.

Rolling The Miles In Classic Style (rd link)

This link introduces you to the drivers of the company that holds the tours. The link has relevance and is a good idea. There are some issues regarding this page

Problem Explanation

Background The background is black once again

Links There are far too many links on this page.

As noticed there was not many things wrong with this link, as it allowed anyone to read a little about the possible driver that could be taking them on there tour to the vine yards.

Virtual Voyage (4th link)

This page is most probably the worst page of the whole web site. This page requires a really good internet connection such as broadband, ADSL or something similar. The link has many movies that require all your bandwidth to load and run. Such issues with this are

Problem Explanation

Background Simple black colour, not that interesting

Movies Need a quick internet connection to view the movies

Links Are relevant but annoying

Text Too small and hard to read

Movie info No description on what the movies about

Software dependence Must have Quicktime player to view the movies

This page is the worst page of the whole web site. The restricted use of people that can view this link keeps the numbers low as not everybody has a quick internet connection. This link is not the user friendly nor is it computer bandwidth friendly. This page should be made available to every person who views the links/movies.

Book Your Passage (5th link)

This link is straight forward and has no room for error. The link allows users online to book a trip to Margaret River vine yards and also they can book whether or not they want the special drivers to pick them up and drive them around. So issues that are on this page are

Problem Explanation

Text Small, dull and hard to read

Background Dull and not inviting (black)

As you can see there isn't much wrong with this link, it is straight forward and easy to follow. The page has nothing to complicated about it.

Conclusion

In conclusion the overall look at this page is that the page was no that user friendly and it was hard to understand. The site has a few prerequisites to be able to view this page at its full potential. Such things that are needed to view this page at full is a very fast internet connection such as T1, ADSL or Broadband, Quicktime player and Acrobat reader. This page may restrict the people that view this page as it has so many requirements to be able to view it. The site had many confusing things about it such as the links were hard to read, the movies had no description with them so it was hard to understand what the movies were about. The overall text on the total web page was hard to read as it was white on a black background, that was no the only the bad thing about the text it was the fact the text was so small it was hard to read. The site also had another problem with it; it needed to be updated dramatically. To prove that the site was no a very interesting site and was not viewed all that much, the site incorporated a site meter with it which allowed the owners to view how many times the site had been in the last week. The week ending Sunday rd August to Saturday th August the site meter only registered that only an average of 4 people visit the site a day and view one page each(the splash screen!). In conclusion this page has many problems with it that need to be readjusted or changed.Please note that this sample paper on whats wrong with thewinetourco.com.au is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on whats wrong with thewinetourco.com.au, we are here to assist you. Your cheap research papers on whats wrong with thewinetourco.com.au will be written from scratch, so you do not have to worry about its originality.

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"Looking for alibrandi"-changes in relationship with josie towards the end of the HSC year

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ENGLISH ESSAY�discuss the changes taken place throughout Josie's relationships with people by the end of her HSC year

The changes taken place throughout Josie's relationships with people by the end of her HSC year has changed dramatically. Her relationship with her Nonna, Michael Andretti and her social school relationships with the girls from St Martha's slowly changes as she starts to mature and realise that she needs to open up her heart and accept who she really is, and to understand other people instead of blocking people that are different to her off her world, which stops her from realizing that she is already widely accepted by the rich snobs in St. Martha.

At the end of her HSC year, her relationship with Michael Andretti changes Josie's and everyone's view of her illegitimacy. In the beginning of the book, she is furious at him for how he wrecked Christina's and Josie's life, dreams and socializing. Christina was kicked out of the house when she was pregnant and her dreams of being an artist was flushed down the drain when she was pregnant with Josie. For Josie, she had been teased by and talked about her illegitimacy when Michael wasn't in Sydney.

"For him to actually exist was mind boggling. Sometimes I think his a myth.?Chapter1 pg15. "I don't care about him I wouldn't care if he was sitting in this room with us now. I'd look straight through him. We don't need him.?Chapter1 pg16.

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Although Josie feels this way in the beginning, she ends up meeting Michael Andretti and her hatred towards him changes to nervous and excited at the fact she is meeting him. "I felt sick at the idea of meeting him, though at the same time I desperately wanted to.?Chapter pg 18. "He's a barrister and although I didn't want to, I like him a lot. He's honest and not a hypocrite and I sometimes want to hate him for what he did to my mother eighteen years ago. I mean you could change heaps couldn't you??Chapter16 pg 15.Fortunately towards the end of the novel, Josie and Michael's relationship become closer and closer. They go out for dinner, go on a holiday to Melbourne and ends up staying at his house in Balmain, every so often. "I'm still shocked by how fast things are going between us?I never really thought I would respect my father.?Chapter17 pg 156. Michael also starts to build up his love and affection for his one and only daughter. "Because if I pretend you didn't exist you won't go away. So I'd like to get to know you better.?Chapter1 pg 15.

Josie's relationships with people in St Martha's were her most concern and that were because of their class differences. Josie also wanted to be respectable which makes her acceptable by the rich snobs. "My biggest problem, though, is being stuck at a school dominated by rich people. Rich parents, rich grandparents. Mostly Anglo-Saxon Australians. Who I can't see having a problem in the world…………however they were smart, they moved out of the inner west and inner city and became 'respectable? Being respectable has made them acceptable.? Chapter1 pg 6.

"A world where I can be accepted. Please God, let me be accepted by someone other than the underdog.?Chapter pg .

"I felt disadvantaged from the beginning?chapter 1 pg 7.

"We grew up in the midst of the snobs of St Martha's and discovered that somehow brains didn't count that much. Money and prestige and what your father did for a living counted. If your hair wasn't in a bob or if your mother didn't drive a Volvo you were a nobody. That's where the problem lies between myself and our school captain, Ivy Lloyd.?Chapter pg 1.

Although Josie feels very competitive and ambitious and desperately wanting to be accepted by others at St Martha's in the beginning of the novel she slowly loosen up with her competitiveness and ambition. "I became a bit less ambitious this year.? Chapter pg 60.However with her desperate act of acceptance is dropped when she finds out that she was firstly school captain but Sister Louise gave that position to Ivy because she thought Ivy had the right attitude. This showed that she was accepted and respected by all the St. Martha girls. "I realized that she wasn't Poison Ivy anymore. She was just Ivy.?"I wanted to say so much to her and that surprised me. Because in the past I had to make up things to say to.? Chapter pg 41. Slowly step-by-step Josie starts to accept others for who they are and not what their family background is, rich or poor. This becomes the same with the girls in St Martha's.

Josephine's family relationships with Nonna have emotionally changed as Josie finds out what happened in Nonna's life in Australia and that she is very similar to Josephine.

"I had never thought her capable of dreaming like me.?Pg

At first, Josie becomes angry at what happened between Nonna and Marcus Sandford.

"Our whole lives just like our names are lies.?Chapter5 Pg 1. However, after she thinks about the incident she realizes that it was not her Nonna's fault but her Nonno's fault for treating her so bad, that she fell for another man who actually showed his love for her. "Your grandfather Francesco treated me like one of his farm animals.? Pg . "He promised me he would bring her up as his if I didn't embarrass him any more, so I stayed to protect my baby.?Chapter6 Pg 5.

Josie feels grateful towards her Nonna for risking and breaking rules to have her daughter, Christina. "She hadn't stuck to rules and regulations. Hadn't worried about what other people thought every second of her life. She had taken chances. Broken rules. If she hadn't Mama wouldn't have been born and I wouldn't have been born.?Chapter 6 Pg 6.

Due to all of this Nonna and Josie build a relationship stronger and stronger every second of their lives, and Josie now understood and saw that Nonna had great love for her daughter. "When she got pregnant my heart broke. Not for Francesco or me. For her. I wanted to take her into my arms and hold her. If I could carry her on my back for nine months I would have. But he looked at me wit so much hate and I knew if I tried to help her he would ruin her life. So I said "Yes, Francesco. Anything you say, Francesco.?Chapter6 Pg 5.

Josephine finds out in the end that she is a very lucky girl, who has a Nonna that loved her baby but wasn't allowed to touch her or else her baby's life would be ruined. This showed great love and caring towards her baby, but since she was kept apart from her, Josephine understands the pain Nonna went through. As for her mother, Christina, had stuck up to her horrible father and was willing to get kicked out and sacrifice herself for her baby, Josephine. "I was loved by two of the most strongest women I would ever meet in my lifetime.?Chapter6 Pg 6.

Josie's relationships with people making fun about her cultural identity-Italian also were a major part of Josie's life. She heard racist comments about her cultural identity, "wogs?throughout her life but in Chapter 8, Carly Bishop made a racist remark about her race-Italian. "The night clubs was the pits…they were all wogs they seemed to be everywhere, she snickered.?Pg 81. Josephine had rituals to follow in her culture, including- that she has to go to her Nonna's place straight after school, hang around the same race, "how come other Italian girls have Italian boyfriends, why can't you be like them??Nonna.

Being respectful and having good manners even while you are arguing is considered in her rituals. "I hate the word 'respect?I think I'll go sick if I hear it again.?Chapter.

Although Josie feels this way about her culture and finds Tomato day embarrassing, she finally realizes it is in her and she can't change it by getting all fussy over it. "I resent it most of the time, curse it always, but it'll be part of me till the day that I die.?Chapter 16 pg 15. This day when she realizes that her cultural identity is something that will be part of her forever, she comes to her senses that becoming use to the rituals will make her life easier. "If someone asks me what nationality I am, I'll look at them and say that I'm Australian with Italian blood flowing rapidly through my veins. I'll say that with pride, because it's pride I feel.?Chapter pg 5.

In conclusion the changes that have taken place in Josie's relationships with people by the end of the HSC year, has changed from a self-centered, competitive, ambitious and pride less in her own culture and an illegitimate to a less ambitious, less competitive, pride in culture, more open-minded and hearted and more acceptable to others by the end of the novel. They were not sudden changes that occurred in the blue but happened over a period of time. From this novel you can feel that love and care can change some self-centered brat into a perfect role model.Please note that this sample paper on "looking for alibrandi"-changes in relationship with josie towards the end of the HSC year is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on "looking for alibrandi"-changes in relationship with josie towards the end of the HSC year, we are here to assist you. Your cheap research papers on "looking for alibrandi"-changes in relationship with josie towards the end of the HSC year will be written from scratch, so you do not have to worry about its originality.

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Christina Aguilera song analysis - im ok

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Christina Aguilera

I'm ok

Title I'm ok

Artist Christina Aguilera

Essay help on Christina Aguilera song analysis - im ok

Year 00

Album Stripped

Melody vocal, guitar

Harmony strings, vocal

Rhythm guitar

Instrumentation guitar, strings

Style pop

Form

Melody-

The melody in this song is pretty basic and repetitive. The melody in the versus

is fairly simple whereas the melody in the bridge and chorus are a little more

complicated. the melody in the last chorus is a tiny bit different because it is

sung differently in parts.

Harmony-

There aren't that many harmonies in this song but the ones that are there are

done mainly by the stings and by echo of Christina's voice.

Rhythm-

The rhythm is really basic and pretty slow, it doesn't vary much except for in

the bridge and chorus where it gets slightly quicker and more pronounced.

Form/structure-

At the start of the song the introduction is considerably soft, the chorus is

then a fraction louder as the instruments are played louder and more are

included. After the chorus, which is the loudest at that point, the song goes

back into the same pattern of gradually getting louder. The bridge is then

louder that the chorus because all instruments are being played but not to the

full capacity. The chorus that follows the bridge is the loudest part of the

song. The outroduction then fades out. This is fairly soft.

In the introduction there is eerie music playing softly and there is also people

talking softly in the background. The music travels from left to right giving an

insecure feeling which is what this song is trying to portray.

What is the song about?

This song is about Christina's childhood. Her father physically abused her and

her mother. She tells us a story of a girl getting abused and then changed her perspective in the chorus and tells it from her point of view. She comments on the abuse just being a memory to her father but it still affects her now. The lyrics in this song pretty much explain themselves.

Im Ok

Once upon a time there was a girl

In her early years she had to learn

How to grow up living in a war that she called home

Never know just where to turn for shelter from the storm

Hurt me to see the pain across my mothers face

Everytime my fathers fist would put her in her place

Hearing all the yelling I would cry up in my room

Hoping it would be over soon

Bruises fade father, but the pain remains the same

And I still remember how you kept me so afraid

Strength is my mother for all the love she gave

Every morning that I wake I look back to yesterday

And Im OK I often wonder why I carry all this guilt

When its you that helped me put up all these walls Ive built

Shadows stir at night through a crack in the door

The echo of a broken child screaming please no more

Daddy, dont you understand the damage you have done

To you its just a memory, but for me it still lives on

Bruises fade father, but the pain remains the same

And I still remember how you kept me so, so afraid

Strength is my mother for all the love she gave

Every morning that I wake I look back to yesterday

Its not so easy to forget

All the lines you left along her neck

When I was thrown against cold stairs

And every day Im afraid to come home

In fear of what I might see there

Bruises fade father but the pain remains the same

And I still remember how you kept me so afraid

Strength is my mother for all the love she gave

Every morning that I wake I look back to yesterday

And Im OK

Im OK

Biography

Christina Aguilera was born on Staten Island, New York and her family later settled in Pittsburgh. By the time she was five, Christina knew all the songs from The Sound of Music and performed them at neighborhood block parties. Christina Aguilera was soon performing the National Anthem at professional sporting events in the area.

When Christina Aguilera was 10, she went to an open audition for The Mickey Mouse Club. She didnt make it, but two years later Disney invited her back. She got a part and became a Mouseketeer working with now-famous co-stars like Britney Spears, Justin Timberlake and JC Chasez of and Keri Russell from Felicity. Christina Aguilera was in the Mickey mouse club for two years

During her Mouseketeer days, Christina Aguilera caught the eye of manager Steve Kurtz, who requested a demo tape to send to RCA exec, Ron Fair. Amazed by her voice and beauty he offered her a record deal when she was 15. Around the same time he received a call from a friend who worked at Disney who was looking for someone to sing Reflection, the lead song in the animated Mulan flick. His first thought was his new singer Christina Aguilera. She got the role and the song was eventually nominated for a Golden Globe for Best Original Song in a Motion Picture.

Her musical influences are

Etta James, Billie Holiday and Barbara Streisand.

Christina Aguilera won a Grammy for Best New Artist.

Jewel

Pieces of you

Title pieces of you

Artist Jewel

Year 14

Album Pieces of you

Melody guitar, piano

Harmony guitar

Rhythm guitar

Style pop

Instrumentation guitar, piano

Form

Melody-

The melody in this song is extremely repetitive, you notice this more because there are four versus and they don't differ at all. The guitar and the piano make up most of the melody in this song. All of the chorus melodies are the same as well.

Harmony-

There is very little harmonizing in this song but when there is it is done by the guitar. There are no backing vocals at all, it's just Jewel. I think this is because most of this album was recorded live.

Form/structure

The introduction is just guitar and it fades in. this is moderately soft. Then there is a verse which has just guitar and vocal, this is a fraction louder then the introduction. The chorus' are the same loudness as the versus. The outroduction fades out, that involves just guitar. The instrumental breaks in the song consist mainly of guitar.

Instrumental-

The instruments used in this song are guitar and piano, the music doesn't drown out the lyrics at all but there isn't much variation In the whole song instrumentally .

What is the song about?

This song is about people judging other people because their different but it is also saying that we judge these people so harshly because we feel we might be the same in some way.

Pieces of you

Shes an ugly girl, does it make you want to kill her?

Shes an ugly girl, do you want to kick in her face?

Shes an ugly girl, she doesnt pose a threat.

Shes an ugly girl, does that make you feel safe?

Ugly girl, ugly girl, do you hate her

Cause shes pieces of you?

Shes a pretty girl, does she make you think nasty thoughts?

Shes a pretty girl, do you want to tie her down?

Shes a pretty girl, do you call her a bitch?

Shes a pretty girl, did she sleep with your whole town?

Pretty girl, pretty girl, do you hate her

Cause shes pieces of you?

You say hes a faggot, does it make you want to hurt him?

You say hes a faggot, do you want to kick in his brains?

You say hes a faggot, does he make you sick to your stomach?

You say hes a faggot, are you afraid youre just the same?

Faggot, Faggot, do you hate him

Cause hes pieces of you?

You say hes a Jew, does it mean that hes tight?

You say hes a Jew, do you want to hurt his kids tonight?

You say hes a Jew, hell never wear that funny hat again.

You say hes a Jew as though being born were a sin.

Oh Jew, oh Jew, do you hate him

Cause hes pieces of you

Biography

Jewel Kilcher, born on May , 174 grew up in Alaska. Both of Jewels parents were in the music business and she toured with them. She had her own yodeling act by the time she was 6. Later on her parents broke up and Jewel stayed with her father. She continued to tour with her father for seven years.

Jewel attended Michigans Interlochen Fine Arts Academy. She was there on a vocal scholarship for two years. While attending the academy, Jewel began to play guitar. She began writing her own music. After recieving her diploma and graduating, Jewel headed to San Diego and lived with her mother. She had a job there, and was fired from a few.

Jewel decided that she would live in her van. In her van she had her own private space with no disturbances. She would write poetry and songs in the van. It was a very quiet place and somewhere she could really concentrate on her music.

At a local venue, Jewel started performing on a regular basis. Starting off with smaller crowds and leading up to a record signing with Atlantic Records She recorded her first album, Pieces of You at age 1. It started off fairly slow, but Jewel did not give up. She promoted her album by touring relentlessly and her effort has paid off. Her album going platinum was the highlight of Jewels career.

In 18 Jewel released her second album Spirit. The albums success was just as big as her first.Please note that this sample paper on Christina Aguilera song analysis - im ok is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Christina Aguilera song analysis - im ok, we are here to assist you. Your cheap research papers on Christina Aguilera song analysis - im ok will be written from scratch, so you do not have to worry about its originality.

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Atherosclerosis

If you order your cheap essays from our custom writing service you will receive a perfectly written assignment on Atherosclerosis. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Atherosclerosis paper right on time.

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A Review and discussion of the evidence for a genetic link to Atherosclerosis

Introduction

Atherosclerosis is a disease more commonly referred to as a Hardening of the arteries (1), and is the major cause of morbidity and mortality in the western world (). It is believed to be a multifactorial process, which can in some cases start in utero (). Patients with atherosclerosis represent a heterogenous group of individuals, with diseases that progress at significantly different rates and in distinctly different patterns (5). It is described by the deposition of fatty material (atherosclerotic plaques) in, not on, arterial vessel walls - due to an excess in-flow of cholesterol. This can lead to occlusion of the artery - in most cases this occurs due to a sudden rupturing of the plaque that triggers the emergence of a blood clot/thrombus that blocks blood flow (as oppose to direct occlusion by the plaque) leading to complications such as strokes or heart attacks (1/4).

There are many risk factors for this disease diet and lifestyle (environment) works synergistically with genetic factors predisposing to or protecting from the disease. Understanding the complexity and functional relevance of these risk factors especially the genetic factors can improve the early detection, management and prevention of this disease.

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This essay will review some of these genetic factors (both predisposing and protecting) and discuss their contribution to the risk of developing Atherosclerosis.

Predisposing factors

There have been many predisposing factors discovered using clues from the pathology of the disease including genes/proteins associated with blood lipids, endothelial cell changes (lipid deposition), macrophage responses, inflammation, oxidative damage, vascular repair control, thrombosis and diabetes/obesity (1).

Blood lipids One of the most important risk factors for atherosclerosis is dyslipidemia (quantitative and qualitative changes in plasma levels of lipids and lipoproteins), (). Atherogenic dyslipidemia has been genetically linked, is characterized by increased plasma triacylglyceride and apolipoprotein (apo) B levels, low HDL concentrations and the development of small dense LDL particles (8), and predisposes for atherosclerosis. HDL in particular is very important in the reverse cholesterol transport (RCT) pathway which is the major protective system against atherosclerosis (7), (clears excess cholesterol from arterial cell walls (6)). It has been found that a cellular ATP-binding cassette transporter (ABC) called ABCA1 mediates the first step of RCT. Mutations in ABCA1 cause Tangier disease (TD), a severe HDL deficiency syndrome characterized by accumulation of cholesterol in tissue macrophages and prevalent atherosclerosis. Studies of TD heterozygotes revealed that ABCA1 activity is a major determinant of plasma HDL levels and therefore predisposes for coronary vascular diseases such as atherosclerosis (6). Evidence from epidemiological studies suggests that the development of small, dense LDL (LDL subclass phenotype B) can also be genetically influenced (15/16). Other factors genetically linked to the changes in blood lipids include liver x receptors (LXRs). LXRs (LXRalpha and LXRbeta) are nuclear receptor transcription factors that are activated by certain oxysterol derivatives of cholesterol. Millatt et al reported that LXRs play an important role in the response to excess cholesterol and by using an LXR agonist (Ghr65) they were able to demonstrate a dramatic anti-atherosclerotic effect in mice (11). This can be taken as evidence of a genetic link of LXR genes to atherosclerosis.

Endothelial cell changes endothelial dysfunction is characterised by reduced bioactivity of nitric oxide (NO). Channon et al reported an important role for both the NAD(P)H oxidases and endothelial NOS in the increased vascular superoxide production associated with endothelial dysfunction predisposing human vascular disease states (10).

Macrophage responses During the process of atherosclerosis, the homeostatic mechanisms (which are genetically controlled) of a macrophage fail and uncontrolled cholesterol deposition is promoted by the scavenger functions of the macrophages (1).

Diabetes/Obesity People with diabetes tend to be predisposed to atherosclerosis due to their accelerated synthesis of LDLs ().

Protective factors

There have been a lot less factors (genetically linked) identified that protect against the development of atherosclerosis. It is known however that pre-menopausal women are to a degree protected from developing the disease. Walters et al reports that oestrogen deficiency in postmenopausal women may contribute to endothelial dysfunction, together with other modifiable risk factors and that the absolute risk of coronary disease is greater for men than for pre-menopausal women (1). This suggests that oestrogen somehow protects women from atherosclerosis.

Most risk factors for atherosclerosis are associated with impaired endothelium-dependent vasodilatation due to reduced NO production. Folate/folic acid not only reduces plasma homocysteine levels but also enhances eNO synthesis and shows anti-inflammatory actions thereby also providing protection against the development of atherosclerosis (14). The LPL S447X cSNP has been reported to be associated with decreased blood pressure and plasma triacylglycerides and increased high-density lipoprotein cholesterol (all atherosclerosis risk factors) (17). Clee et al reported a reduced risk of coronary artery disease suggesting that this polymorphism is protective against atherosclerosis. Observations that apoE deficient mice develop spontaneous atherosclerosis, whereas transgenic mice expressing a defective apoE from the liver do not, suggesting that macrophage apoE secretion may indeed play a protective role in regard to atherosclerosis susceptibility ().

Conclusion

Atherosclerosis is a multi factorial process that can start in utero, it progresses over decades and leads to cardiovascular complications such as heart attacks and strokes. This disease accounts for a large proportion of morbidity and mortality in the western world and is affected by both environmental and genetic risk factors. Understanding the complexity and functional relevance of these risk factors especially the genetic factors (predisposing to or protecting from) can improve the early detection, management and prevention of this disease.

For example, mutations in the ABCA1 gene lower HDL levels thereby predisposing the subject to atherosclerosis. Knowing how this mutation affects the development of atherosclerosis allows for possible gene/protein therapy methods to be investigated. It is also known that macrophage apoE secretion may play a protective role in regard to atherosclerosis susceptibility, therefore methods can now be investigated as to possibly inducing apo E synthesis/secretion to help protect patients with a high risk of developing the disease.

References

1. University of Otago Genetics 1 Laboratory manual for 00.

. CRISP - project title Bone marrow transplantation and atherosclerosis

URL crisp.cit.nih.gov/

. Szitanyi, P; Janda, J; Polende, R; Intrauterine undernutrition and programming as a new risk of cardiovascular disease in later life. Physiol. Res. 5 8 - 5, 00

4. Libby, P; Atherosclerosis a new view Scientific American pp. - 7 may 00

5. The Donald W. Reynolds Cardiovascular clinical research centre

URL www-med.stanford.edu/reynolds/summary.htm

6. Oram, JF; Lawn, RM; ABCA1 The gatekeeper for eliminating excess cholesterol. Lipid Res. 001 Aug; 4(8) 117 -

7. Zhang, Z; Yamashita, S; Hirano, K; Nakagawa-Toyama, Y; Matsuyama, A; Nishida, M; Sakai, N; Fukasawa, M; Arai, H; Miyagawa, J; Matsuzawa, Y; Expression of cholesterol ester transfer protein in human atherosclerotic lesions and its implications in reverse cholesterol transport. Atherosclerosis 001 Nov; 15(1 ) 67 - 75

8. Berthier, MT; Houde, A; Bergenon, J; Prudacte;homme, D; Despres, JP; Vohl, MC; Effect of the factor V11 R5Q missense mutation on plasma apolipoprotein B levels impact of visceral obesity. J. Hum Genet. 00 Jul; 48(7) 67 - 7

. Cottrell, DA; Marshall, BJ; Falko, JM; Therapeutic approaches to dyslipidemia in diabetes mellitus and metabolic syndrome. Curr. opin Cardiol. 00 Jul; 18(4) 01-8

10. Channon, KM; Guzik, TJ; Mechanisms of superoxide production in human blood vessels relationship to endothelial dysfunction, clinical and genetic risk factors. J. Physiol. Pharmacol. 00 Dec; 5(4 pt 1) 515 - 4

11. Millatt, LJ; Bocher, V; Fruchart, JC; Staels, B; Liver x receptors and the control of cholesterol homeostasis potential therapeutic targets for the treatment of atherosclerosis. Biochem Biophys Acta. 00 Mar 17; 161() 107 - 18

1. Rainio, S; Ikomen, E; Macrophage cholesterol transport a critical player in foam cell formation. Ann. Med 00; 5() 146 - 55

1. Walters, J; Skene, D; Hampton, SM; Ferns, GA; Biological rhythms, endothelial health and cardiovascular disease. Med Sci Monit. 00 Jan; (1) RA 1 - 8

14. Das, UN; Folic acid says NO to vascular diseases. Nutrition 00 Jul - Aug;

1(7 - 8) 686 -

15. Austin, MA; Genetic epidemiology of dyslipidemia and atherosclerosis. Ann Med. 16 Oct; 8(5) 45 - 6

16. Superko, HR; Did grandma give you heart disease? The new battle against coronary artery disease. Am J Cardiol. 18 Nov 5; 8(A) 4Q - 46Q

17. Clee, SM; Loubser, O; Collins, J; Kastelein, JJP; Hayden, MR; The LPL S447X cSNP is associated with decreased blood pressure and plasma triacylglycerides, and reduced risk of coronary arter ease. Clinical genetics 001 Oct; 60(4)Please note that this sample paper on Atherosclerosis is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Atherosclerosis, we are here to assist you. Your cheap custom research papers on Atherosclerosis will be written from scratch, so you do not have to worry about its originality.

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